This past weekend my Community TV class and the film and video production students at the College of the North Atlantic, shot a pretty significant series of shows for Eastlink Cable. Eastlink serves a number of smaller towns and rural areas in Newfoundland, including Stephenville, where our programs are based.
Produced in conjunction with the Bay St. George Folk Arts Council, each show features one of six musical groups performing various folk and traditional styles of music.
Each student had different duties for each show they were involved with. My first position was on the jib camera. A jib is a long arm mounted on a heavy tripod with dolly wheels on a track. The arm has the camera mounted on the front and counter-weights on the other end. It’s very much like a teeter-totter and the camera can be raised and lowered, swung around from left to right and the whole thing moved back and forth along the track. It can actually work in three dimensions. The jib produces some very dramatic shots and I really enjoyed working with this piece of equipment.
My second role was that of director, which is a very nerve-racking job. I was coached by Brian Dawe, who is in charge of community programming for Eastlink in Newfoundland, and he was a very helpful instructor. I couldn’t help but feel jittery with him standing over me, but his coaching was a valuable part of my education. Did I make mistakes? Oh, yeah! You bet I did. But the nice thing about pre-recorded television is that you can do it again.
When I finished directing on Saturday, I was feeling a little critical and somewhat down about my performance. I may have been a little too hard on myself, but I think that’s a good way to be sometimes. Setting the bar for yourself a little higher than others might set it is good for the student soul as well as a check for the ego.
Tonight, I reviewed the material I directed to choose the takes that will be used and which will now go to the Recording Arts students for a remix of the audio. Watching each take of the show with a critical eye tonight surprised me. It wasn’t as bad as I felt it was when I left the set on the weekend. It’s not without flaws and it’s not quite as snappy as an old CBC SuperSpecial, but the best material is pretty good. It may not have the polish and pizzaz of a network show, but I wouldn’t hesitate to include it in my portfolio.
All in all, a weekend well spent making a small contribution to what will be a pretty big production for Eastlink’s community programming in this small part of the world.